For now, James’ most gripping story about a spurned wife can be found, not on Netflix, but on Page Six. The casting isn’t quite right though, and most of the film’s other elements don’t support her. She’s a deep-feeling actress, who made “Mamma Mia! Here We Go Again” sparkle against all odds. Maxim’s cool exterior conceals impossible anguish, and it is an acting challenge for which Hammer does not have the tools. Hammer works best in hollow roles - such as the Winklevoss twins in “The Social Network” - and doesn’t sing in parts with troublesome layers and backstory. Hammer and James don’t sell any specific tone. Part of what’s kept du Maurier’s novel popular for more than 80 years is a tone of supernatural horror that reveals itself to be a psychological thriller. Maxim and his new wife fuel the mystery and chilling suspense of the story that unfolds, and unfolds. “Rebecca” cannot survive on Danvers alone, however. Kristin Scott Thomas with Lily James in a scene from “Rebecca.” AP The actress is so good, you wish she could reprise the role in a better film that actually deserves her. The code mentioned in the title is an intended throwback from Follett to Daphne du Maurier 's famed suspense. ![]() 1 Published in 1980 by Pan Books ( ISBN 0792715381 ), it was a best-seller that achieved popularity in the United Kingdom and worldwide. Scott Thomas sounds like she’s about to pull out a shiv and knife her new boss right then and there. The Key to Rebecca is a novel by the British author Ken Follett. I wonder what she’s thinking about you? Taking her husband, using her name.” Crack that whip! “She’s still here,” Danvers says ghoulishly. Wanna bet?ĭuring one of the tensest scenes in the airy film, Danvers brusquely brushes the new lady of the house’s hair and natters on about her beloved Rebecca. “Don’t worry - she’s not as scary as she seems,” Maxim says after the women first meet. Danvers (Kristin Scott Thomas), the housekeeper in charge of Manderley who is fiercely devoted to the late Rebecca. Armie Hammer and Lily James star in the Netflix remake of “Rebecca.” AP Robin Leach could emerge from a door at any moment. Hitchcock amped this up, winning a Best Picture Oscar, with shadows and claustrophobic tête-à-têtes.Įvery conversation in the 2020 “Rebecca” seems to happen beneath a 50-foot ceiling. The young woman, an unnamed narrator in Daphne du Maurier’s novel, is plagued by paranoia and feelings of inadequacy over Maxim’s dead wife, Rebecca. The cast is a walking-talking Vogue spread and the scope of Manderley, the home by the sea, outdoes Alfred Hitchcock’s more intimate setting of the 1940s. James, talented though she is, is emblematic of director Ben Wheatley’s downfall here: gorgeous aesthetic given favor over taut storytelling. That definitely doesn’t jibe with recent headlines about how British men behave around James while in Europe. What?! James is a shy servant, and no one has ever proposed to her? Unbelievable. The wealthy Maxim de Winter (Armie Hammer) asks a shy young servant (Lily James) whom he meets at a Monte Carlo hotel to marry him, and move into his sprawling estate in England. The biggest shock of Netflix’s new adaptation of “ Rebecca” comes early on. ![]() Rated PG-13 (some sexual content, partial nudity, thematic elements and smoking.) On Netflix.
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